15 October, 1997
>15 October 97
>
> No weather information is available today. The computer people are
>playing with the website and no information is online. It is, however, a
>nice day with another storm reportedly on the way. So far it hasn't
>happened.
>
> This was a routine science day. I spent most of it trying to fine tune
>the assay I use to determine the amount of tube foot protein in the
>Antarctic starfish species, Odontaster validus. The results of the assay
>indicate that it must be repeated again, perhaps tomorrow. I'm still
>trying to determine the best sample volume to use so that the amount of
>protein I'm trying to measure is within the range of my standard curve.
>Today I got a little closer.
>
> This evening's science lecture was given by Norbert Wu. Norbert is a
>world renown underwater photographer whose work has been seen in many
>publications and nature films . He worked closely with Jacques Cousteau
>and as a research diver for the Smithsonian Tropical Research Institute.
>His photography and cinematography have appeared numerous books, magazines,
>and films such as "Audubon", "International Wildlife", "National
>Geographic", "Natural History", "Omni", and PBS' "Nature."
>
>Things to ponder:
>
> Scientists often use information they do know to help learn what they
>don't know. One way of doing this is to use a standard curve. Here's how
>it works:
>
> One may make dilutions of a very pure protein of known concentration.
>An experiment can be done with these samples and the data plotted on a
>graph. When samples of an unknown protein are included it is possible to
>use the graph (standard curve) to determine the unknown concentrations.
>
>1. Brainstorm and think of some ways to use a standard curve to measure
>unknown quantities, i.e. what kinds of substances could be measured by
>using a standard curve?.
>
>2. Science is not just for scientists. Norbert Wu has found a way to make
>a living using skills which blend both science and art. Think of other
>ways where one could make a living by using both science and art. What
>sort of training might be necessary for this?
>
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